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Arts & Entertainment

Dalton Deschain + Cuervo Jones + Sean Kershaw and the New Jack Ramblers @ The Way Station

The Way Station, 683 Washington Ave, Prospect Heights, BK Live Music 8pm- 12am. $5 Suggested Donation.

8pm- Dalton Deschain
Genre: Anti-Folk, Rock, Punk
For fans of: Against Me!, Neutral Milk Hotel, The Dresden Dolls

Dalton Deschain is a songwriter from Detroit, Michigan. In his first life he was a survivor of the War that tore apart America, and in 1947 he was exiled from his hometown, and his time. He has arrived here in the present to share his stories of lost love, nuclear warfare, loneliness, rats, plane crashes, and architecture.
daltondeschain.com
daltondeschainmusic.com
Facebook.com/DaltonDeschainMusic
Twitter @daltondeschain


9pm- Cuervo Jones
Who is Cuervo Jones?
Combining catchy melodies, driving rhythms, and powerful guitar, this dance punk power trio exploded on NYC scene in 2013. Pulling from the best of their favorite bands: the Ramones, Arctic Monkeys, and the Strokes, Cuervo Jones will be in your head long after the last cymbal crash and barre chord have faded out into the night.


http://cuervojones.bandcamp.com/

10pm- Sean Kershaw and the New Jack Ramblers

Sean Kershaw — the Brooklyn-based music artist whose swaggering “high-octane honky-tonk” (NY Times) has thrilled and seduced audiences in New York City, north up to Alaska, and as far south as Australia — is now hoofing it across the Atlantic. Accompanied by his signature country-rockabilly band, the New Jack Ramblers, Kershaw will tour Europe this summer following the release of his second album, an EP titled “Aussie Sessions,” which Kershaw recently recorded in Melbourne.

The Coney Island Cowboy (the title of Kershaw’s acclaimed debut CD) whose lead vocals and rhythm guitar suggest the whisky-soaked angst of Hank Williams Sr., with a twist, struts out a gritty brand of rockabilly that drives restless boots straight to the dance floor. However, it was a writer for Playgirl magazine who observed that those same boots might just as soon be kicked off and placed under a lover’s bed, after listening to the single “Moonlight Eyes,” Kershaw’s most popular recording to date. In fact, Coney Island Cowboy enjoyed regular airplay in the U.S., Australia and Europe; the latter augurs well for the upcoming summer tour.

Such is the rough-hewn but stubbornly romantic sound produced by this lifelong wanderer who was born in Baltimore, but growing up in a military family, lived overseas and all over the continental U.S. Early in his career, Kershaw continued to embrace the road by busking throughout the country. Starting out in New Orleans, he headed west to play in Los Angeles and San Francisco, went north up to Seattle, back across to Chicago and St. Louis, and eventually settled in New York.

It was in Brooklyn that Kershaw became a driving force if not the face of a growing country music scene, spurring notices in various high profile media outlets such as the New York Post, New York magazine and Time Out New York, and eventually becoming the cover story of a Village Voice article dedicated to Brooklyn country.

From 1996 through 2003, Kershaw played with a band called the Blind Pharaohs. The rockabilly group developed a plugged-in and loyal following touring up and down the East Coast. But by 2007, having written and continuing to hone a host of original country and rockabilly songs, “Sean Kershaw and the New Jack Ramblers” became Sean’s main musical vehicle.

Depending on the venue, Sean Kershaw and the New Jack Ramblers scale up or down in players, and feature Sean on lead vocals and rhythm guitar, an upright bass, lead guitarist, drums, pedal steel, and occasionally keyboards, banjo, fiddle and the mandolin.

“Audiences that respond to mainstream country music will readily find the influences of Johnny Cash, jump blues and western swing in the New Jack Ramblers’ sound,” comments Sean Kershaw. “But it’s the remnants of my background as a punk rocker, the high-energy that the New Jack Ramblers bring to the stage, and the strange, unexpected tales our songs tell that tend to subvert country purists’ expectations and appeal to an even broader, often younger audience,” continues Kershaw.



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